“Interwoven Globe: The Worldwide Textile Trade, 1500-1800,” opened in September at the Metropolitan Museum of Art.
The show runs through January 5, 2014. The exhibition is an amazing overview of more than three centuries of art, commerce, and craft .
Trade textiles were produced by one culture to be sold to another. According to a description for the exhibit from the Met’s website, “Beginning in the sixteenth century, the golden age of European exploration in search of spice routes to the east brought about the flowering of an abundant textile trade. Textiles often acted as direct currency for spices, as well as other luxury goods. Textiles and textile designs made their way throughout the globe, from India and Asia to Europe, between India and Asia and Southeast Asia, from Europe to the east, and eventually west to the American colonies.”
The items on display show how trade between different cultures and countries inspired and changed the way cloth was produced and designed, from the techniques and materials used to the designs and colors found decorating the cloth.
The designs on European-made textiles often served as models for Chinese and Indian artists, and the combination of Asian and European motifs resulted in novel designs that were especially popular in the West.
By the end of the seventeenth century, objects imported through the well-established maritime trade routes between Europe, Asia, Africa, and the Americas served as conduits of information about the cultures that produced them. Textiles that moved around the globe stimulated an intense interest in what was deemed "exotic."
Images of fantastic flora, fauna, architecture, and people show how Europeans imagined China, India, and Turkey. The resulting designs and artworks demonstrate a shared curiosity between East and West. In the eighteenth century, laws protecting the English textile industry prohibited residents of the British Isles from purchasing the Chinese silks and Indian cottons imported by the English East India Company.
These exotic textiles could, however, be legally re-exported to other regions. Ironically, the English had to dress in domestically produced imitations of Asian textiles, but colonists New York could have the real thing. After the Louisiana purchase of 1803 the demand for imported Indian chintzes and muslins drastically decreased.
The exhibition is organized by geography and theme in nine galleries. There are quilts and bedcovers, tapestries and wall hangings, shawls and capes, kimonos and vestments, jackets and lavish ball gowns made of imported silks. Most of the textiles are from the Met’s collection but have been exhibited rarely, if at all.
|Hohloma(Russian Folk art)|
This type of dyed cloth was made in abundance in India for the European market in the late seventeenth and eighteenth centuries.
|Ukraine folk art picture|
The size of the palampores conformed to bed sizes in Europe, and their decoration, often with a central tree laden with fruits and birds, combined elements from English embroideries, Chinese decorative objects, and Indian textiles.
"NewYorker" said about this exhibition : "The show is more than a landmark in the study of decorative arts—it’s a model of how museums can deploy their collections in context"
The exhibition catalog for Interwoven Globe is a fantastic book for anyone interested in the history of all varieties of textiles. You can buy the book through Amazon with free shipping.
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